
Jerry Moss, who brought life to
dozens of blockbuster movies including "Lemony Snicketts: A Series of Unfortunate
Events," "Big Fish," "Minority Report," "Amistad" and "Jurassic Park,"
during his three-decade career as a property master, has died. He was 49.
Moss, of Westlake Village, died Wednesday (April 20, 2005) at
Encino-Tarzana Regional Medical Center, following an eight-month battle with
lung cancer.
His illness forced his mid-production withdrawal from the filming of
"Pirates of the Caribbean II and III," said Gregg Bilson, Jr., president of
Independent Studio Services, the largest prop company in the country.
Working in tandem with many top directors, production designers and set
decorators, Moss created the mood and provided the creative touches to more than
40 movies during his distinguished career.
"Whether it was the head of the studio or the head ditch-digger, everyone
considered himself Jerry's best friend," said Bilson. Moss was a critical
component of every movie he worked on, he added.
Film-making also provided an ideal canvas for Moss' sharp wit as he
quickly grasped a director's vision for whatever project he was on, Bilson said.
Moss conceived of using a petrified mosquito encased in an amber-like
plastic for "Jurassic Park." In "Jaws," he created a device that propelled the
giant shark figure through the sea, with only its menacing fin protruding the
surface. He once created a stove upon which he and his crew cooked five-foot
wide pancakes that were transformed into a huge, multi-tiered birthday cake in
the John Hughes hit, "Uncle Buck," staring the late John Candy, according to
industry officials.
Film credits include: "Hulk," "A.I.: Artificial Intelligence," "An Officer
and a Gentleman," "Bugsy," and "Mars Attacks," among dozens of others, industry
officials said.
Born in Chicago, Illinois, the youngest of five children, Moss moved with
his family to California in the early 1960s. He grew up in Glendale then moved
to Eagle Rock, where he attended grammar and high school. He began his career as
a part-time set painter at Universal while he attended college in pursuit of a
marine biology degree.
With a life-long love of the sea, Moss also was an accomplished dive
master and surfer. He also was an accomplished guitarist and played on an
amateur ice hockey team, family members said. He purchased his first home at age
22 soon after he postponed his college education to launch his own prop company,
they added.
The divorced father of three children, Moss loved the outdoors and
spending time with family, friends and his fiancé, Julie Gilchrist, of Westlake
Village. "It was a privilege to have known and loved him," she said.
Predeceased by his parents and one brother, Moss is survived by his
daughter, Monica, and son, Michael, both of Westlake Village; and a son, Austin,
of Calabasas. He also leaves his sister, Donna Janes, and brother, the Hon.
Robert Moss, both of Newport Beach; and brother, John Moss, of Escondido.
A memorial service is to be held at 10 a.m. Saturday, April 30, at Pierce
Brothers Griffin Mortuary, 101 E. Wilbur Road, Thousand Oaks.
Moss' family suggests that memorial donations in lieu of flowers be sent
to he American Cancer Society, The Surfrider Foundation-Malibu Chapter or Heal
the Bay.
-written by Jerry's
sister, Donna |
|
From our Local
44 IATSE union website and also featured in Below The Line
magazine:
Prop master Jerry Moss died April 20, after a battle with lung
cancer. He was 49. A member of Local 44 and a 30-year veteran of
the film business, Moss most recently worked on Lemony Snicket’s
A
Series of Unfortunate Events, The Hulk and Big Fish. At the time
of his death he was prepping for Pirates of the Caribbean 2 and
3.
“When he broke the news of his illness while we were prepping a
movie together, he spoke of it with typical Jerry
straightforwardness and lack of self pity despite how
devastating the news must have been for him,” says Pirates
production designer Rick Heinrichs, with whom Moss had worked
closely on several features. “He chose to continue to work with
enthusiasm and energy for as long as he could through his
treatment and when he decided the time had come he helped with
the transition to another propmaster.
“He was enormously brave as well as professional, warm, funny
and humane,” continues Heinrichs. “He was a renaissance man and
an exceptionally fine craftsman who wasn’t afraid to take his
craft to the level of art. His loss is a terrible blow.”
Moss began his Hollywood career as a diving instructor, working
as a dive master on films such as Airport 77 and Jaws 2. By the
age of 25 he’d moved into prop mastery, first on Jeannot
Szwarc’s Somewhere in Time and going on to work with celebrated
directors including Tim Burton, Steven Spielberg and Ang Lee.
Originally printed in the April 2005 issue of Below the Line. |